‘Come From Away’ Capitalizes On Humanity, Not Tragedy

Exactly one year ago I saw Come From Away live in person. I had seen a bootleg about two years earlier and listened to the soundtrack many, many, many times, but seeing it live was so much cooler. The musical is so well done and so powerful with its simple sets and energetic cast. I had to stop listening to it at work last year because too often I was tearing up at my desk. If you don’t know what Come From Away is, I’m about to change your life, because it’s a musical about 9/11 and the several thousand people diverted to Newfoundland, Canada when the air space closed. It sounds like a dreadful musical idea, but it’s actually very sweet and uplifting because it covers how all the small-town Canadians rallied together to provide food, housing, clothing, and more to so many scared and confused travellers.

come from away logo and still.

I was in kindergarten when 9/11 happened, so I don’t remember anything about the tragedy. In that sense, I’m kind of disconnected to it because I don’t remember where I was that day or how things changed, but I think Come From Away does such a good job of conveying all the necessary emotions, so even young people can understand the gravity of the event as well as how wonderful the Newfoundlanders were.

Anyway, Come From Away has become a favourite musical of mine. So I was eager last month to get my hands on the behind-the-scenes book called Come From Away: Welcome To The Rock. It gave so much insight into the musical from the interviews the creators did to the costumes the actor wore to the grant the government issued so the show could be made, and I always love learning about stuff like that. I think I cried more times reading the book than I did seeing the show. But there was one part in the book where the mayor of Gander said some townspeople don’t love the attention Newfoundland has gotten and they think it’s a capitalization of not just the tragedy but also their involvement, which shouldn’t be a big deal. I don’t think this is a completely unfounded or unpopular opinion. I’m sure there were so many of those Newfoundlanders who didn’t think twice about helping out during that hell week. I’m sure there were many who would have been perfectly fine if they never got any recognition or thanks for their efforts. I’m sure there are New Yorkers or other people directly affected by 9/11 that aren’t thrilled that such a devastating event is being sung about for hefty theatre prices. But that doesn’t mean that Come From Away and the publicity the Canadian towns have gotten isn’t warranted, because I think the musical is so important and it’s so great that people are paying attention.

it's lowkey a huge deal gif.

Our world is full of garbage and hate and bad news. Even when good things happen, it’s often quiet or overshadowed or soon forgotten. So I’m not mad that this story stands out. This is a story that highlights kindness from strangers in a moment of global tragedy. It’s not just a 9/11 musical, it’s a kindness musical. And, as that book made clear many times, the writers were well aware of the sensitive topic and made many, many edits to ensure anyone who saw it understood that they weren’t glorifying the catastrophe and that they certainly were not in it to make money, as theater productions rarely result in big bucks. They were simply showing the pure side of humanity in the darkest hours. These were real people and real stories and real quotes, and that side should be celebrated. Especially because such kindness may not have happened anywhere else. Canada has a reputation for niceness, but I really can’t imagine my community a few provinces over coming together the way those Newfoundlanders did. I can’t imagine my parents letting strangers come in and take a shower in our house. And, it’s worth noting, this was before social media. So the Newfoundlanders weren’t vlogging it or trying to go viral with their good deeds the way some people do now. This musical is sharing stories that otherwise may never have gotten told.

goodness to share gif.

Come From Away is a show you need to see. Aside from being so creative and unique as a show, it’s very uplifting and raw. It’s still playing in NYC and Toronto and I know tours have gone to Australia and London and it’s even headed to China this year, which is so wonderful because it means the story is being shared with so many people who also didn’t know what went on in Newfoundland that week.

As a Canadian, this show made me so proud. I’m not saying every act of kindness deserves a musical from now on or that we should focus on the nice people in every tragedy. But what we should do is let this musical be a reminder that there are good people in the world and that maybe this blue and green rock floating in space isn’t as hopeless as it seems. I think the nature of our society has made us have to be a little selfish to survive, but Come From Away made me at least want to be better, tragedy or not.

If you have a chance to go see the musical, please do, because you will not regret it.

it'll change your life gif.


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The Good Stuff: Parodybill

If you like musicals and jokes, then this is the post for you. A while ago I came across this Instagram account called Parodybill, and I did not hesitate to click Follow right away (a feeling all of my blog followers felt when they first came to my blog, I’m sure). Parodybill basically takes a Broadway musical/reference and mashes it up with something else—usually another musical, but sometimes it’s a movie or a TV show—to create a parody Playbill. They’re so well done and so funny. I would never even think of these mashups, but they work perfectly.

In the almost two years they’ve been parodying musicals, they’ve done a lot, but I want to share my favourites. (Click to enlarge)

Aren’t these just so fun? I always enjoy seeing them pop up on my feed. And on their Insta stories they also sometimes show their brainstorming and sketching, which I think is neat.

And they do it just for fun, because they love doing it. They do sell Tshirts and mugs and prints and stuff here, and for reasonable prices actually, but otherwise, they just want to make some theatrical art for us to all see. So go follow them on Instagram or Facebook to keep up with their wonderful, entertaining creations!

Though as great as they are, they currently don’t have any Mamma Mia ones, which is a shame. What’s the deal with that, Parodybill?

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‘Be More Chill’ Book Vs Musical

Just a few weeks ago it was announced that Be More Chill would be making its off-Broadway debut this summer, which I found really timely considering that it was only a few weeks before that that I had immersed myself in Be More Chill. On the recommendation of a friend, I looked up a Be More Chill bootleg (though the best one I could find was about 75% black screen) and then listened to the soundtrack on repeat. Be More Chill was first a book by Ned Vizzini, so I also checked out a copy from the library, and I thought it’d be fun to compare the musical and the book so you know a bit more before the show gets super popular on BWay. Warning for light spoilers.

Be More Chill is about a kid in high school named Jeremy who’s so tired of being a loser that he buys an ingestible supercomputer in the form of a pill that lodges in your brain and tells you what to do. This computer is called a Squip, and the story follows Jeremy as he rises through the high school ranks and tries to balance relationships between his best friend Michael, his crush Christine, and the popular kids with the help of his Squip.

Image result for be more chill logo

Now, I listened to the musical before I read the book, and I wouldn’t have read it if I didn’t like the music so much. While I don’t think it’s the best musical ever and I could write a whole other post on what I don’t love about it, there are some cool songs and it employs a lot of neat synth/retro techno sounds so it is unique. The music is also very upbeat, and I always appreciate that. The music makes the musical, and I think Be More Chill does a good job taking this cool Squip plot and giving it life through songs.

Because really, if you take out the Squip, it’s just another high school coming of age story that is full of overdone high school tropes. The Squip and its incredibleness is the selling point of the plot. And it’s really needed, especially in the book because the book doesn’t have the music. What the book does have, unfortunately, is just a lot of awkwardness. The musical really toned down Jeremy’s cringey-ness. In the book, he keeps these tally charts of all his dorky interactions with classmates, and then he steals from his aunt to buy the Squip pill. Furthermore, he’s just a walking caricature of a typical high school boy in which he lusts over anything with boobs and is unable to have normal conversations with anyone, so it was a pretty uncomfortable read. Even the other characters had weird dialogue. Christine said weird things, and Michael was pretty underdeveloped and boring, and while Christine was odd in the musical too, she was a lot more likable there. Needless to say, I’m not a fan of Vizzini after this. So I’m glad that the musical changed and improved some of these aspects.

In regards to the Squip, there are some differences in its overall arc in the two mediums. In the book, Jeremy and the Squip just have some miscommunications and mistakes so Jeremy ends up getting rid of him. In the musical, it’s a lot more sinister, as the Squips try to take over. While this plot is a little cliche, at least there’s a problem to solve that keeps us interested, and at least it has a beginning, middle, and end that makes sense. The book’s ending feels very, very abrupt. But what bothered me the most about the Squip is that in both versions, Jeremy didn’t really learn anything. Like, there wasn’t some overarching message about being yourself or respecting women as people or not caring about popularity, and I feel like that would have been useful, especially in the book where Jeremy was just extremely ugh.

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To conclude, I do not suggest reading Be More Chill. The book was just a load of awful awkwardness. The musical is a lot better and far less cringy. I hope it does well on Broadway because it is a fun show, and Will Rolland is playing Jeremy, which I think will be great. And if you can’t get to NYC, go listen to the soundtrack. The best song is ‘Michael In The Bathroom’ (it’s not as weird as it sounds).

Have you read or seen or listened to Be More Chill? What are your thoughts on it?

P.S. The Be More Chill book was also adapted into a play. I know this because when I was looking for a musical bootleg, I found the play, and only realized it was the play when twenty minutes in, there had been no singing. From those twenty minutes, it seemed to be exactly like the book, so I’m glad I exed out of that one real quick.


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My Musical List (And Some Bootleg Discussion)


Three years ago, when I was in high school, I started getting into musicals. I don’t recall why or what drove me to them. If I had to guess, I would say it was likely my love for Glee and Team Starkid, and in the ven-diagram of related subjects that I’d come across on the internet, Broadway musicals is right in the middle.

I decided to go popular (literally) for my first musical and try Wicked. I chose to read the book first, and I enjoyed it. At this time, I wasn’t as familiar with bootlegs, so I settled for listening to the soundtrack. This, I later learned, was a mistake as I assumed that the musical followed the book better than it actually did. Seeing the show live downtown nine months later was awesome but slightly disappointing as the soundtrack didn’t match up to the plot like I had envisioned them to. That bugged me more than it should. (Related: why I hope the Wicked movie is more like the book)

In May of that year, I also went on my school’s arts trip to New York City. I had never been, so it was very exciting. On that trip we saw three Broadway shows (Les Miserables, A Raisin In The Sun, and Aladdin, but the second is just a play) and that was such a great experience. But as we wandered around Times Square and I saw the marquees for all the other musicals playing, I realised that the three we went to see were not ones I would have chosen. So in that grubby hotel room we stayed in, I sat on my bed and opened a note on my phone, and started a list of all the musicals I wanted to see. That list had 11 shows, and I considered that a lot.

But in the past three years, that list grew to 20 and now over 30 musicals. I am now a huge musical theater fan and nine times out of ten, when I listen to music, I’m listening to various show tunes. I wanted to wait to blog about this until I had successfully crossed everything off my list, but I just keep adding musicals on, so the end is not in sight! So instead I figured I’d show my progress, along with a list of musicals I had seen before I started keeping track.

list-1 list-2 list-3 list-4

Some of these I loved, some I liked, and some I wouldn’t watch again, but I am glad I saw them all.

And that brings me to my next topic of discussion: bootlegs. While I was fortunate to see a few of those shows live, and a few were movies that I watched, most of them I saw via bootleg. I have no little shame in this. Sometimes I stream movies, I’ve admitted to occasionally streaming TV, and I download music that I didn’t pay for. Sorry, but I’m a student and I don’t have the money to pay for every bit of entertainment. And you know I’m not the only one who does this. But with Broadway, it’s different, because for me to experience the full, legal thing, I need to go to New York. I’d need a roundtrip plane ticket, a hotel room, food, and then a ticket to the show, which could be pricey itself. That’s very different than the 12 bucks I save by not going to a local movie theater. Not to mention that some of the shows aren’t even running anymore or are sold out, so even if I were to somehow get to New York, I still wouldn’t be able to see them.

There’s the argument that bootlegs take money away from the show, but I disagree. Bootlegs let people who are on the other side of the world see shows they love and experience theater. I’m somewhat lucky because when shows do go on tour, they sometimes stop near me, but that is not true for many people, so bootlegs give them a chance to see it, even if it from someone’s shaky iPhone. Shows aren’t losing money because it’s money that they won’t ever get. But they may get money from the purchase of the soundtrack or other merch. Because if people are like me, they won’t listen to the music until they see the show, so basically, the bootleg is bringing in money.

Bootlegs don’t replace live shows the way that streaming a TV show replaces seeing it when it airs. There’s no comparison at all to the environment and quality. People have said time and time again that if they could pay for a professionally filmed stage musical they would, but there isn’t even an option for that. Broadway caters to people who can get there, and that’s somewhat understandable, but if hockey games can be streamed, why can’t a musical? There IS this new service called BroadwayHD that is trying to give us what we want, but unfortunately, it doesn’t have the new, big-name shows that I personally want to see.

What are your thoughts on the matter? I’d love to hear them, but I beg you to do it politely. I’ve seen many bootleg debates go down on Tumblr and it’s a horrific, rude mess that I want no part of.

I’d also love to hear what musicals you think I should add to my list. What are your favourites?


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‘Sing Street’ Movie Review

Do you like 80’s music? Do you like feel good movies?

Y’all. Sing Street. It’s my new movie obsession, so of course I have to write about it. And since it’s not a very big name movie, I wanted to take this chance to tell you guys about it if you don’t know.

Sing Street is about a 15 year old Irish boy named Conor who starts a band with some new pals to impress a girl, an older and pretty model-wannabe. It’s set in the 80’s so the music has that distinct 80’s vibe, and like with any musical/musical movie, the music really makes or breaks it. In this case, it makes it. Big time. But you don’t even need to really know or love 80’s music to enjoy this. I however do like 80’s music (my boss and I listen to it at work all the time), so this appealed to me.

This movie is written and directed by John Carney, who’s best known credits are for writing and directing the movies Once and Begin Again. Begin Again is my favourite movie, and if you want to know more about that, read my old post here. While I found Once to be a little boring, I loved Begin Again and its music, so of course I was super excited when I saw that Carney had another music-centric movie coming out. It was a film festival movie and never came to local Canadian theaters, so I had to wait for the DVD, but it was worth the wait.

This movie was inspiring, magical, beautiful, funny, sweet and had a great soundtrack. I literally can’t ask for more in a movie.

The cast were all no-name European actors, but they were so talented! All the band members were such adorable, likeable characters and it was so satisfying to see them all jamming together and making such great music. They had each other’s backs and even when I expected there to be average band conflict, there never was. The other characters were great too. They added just the right amount of conflict, parallels and drama.

The original music was amazing. I’ve been listening to the songs on repeat. Even my father said he could definitely hear most of the songs on mainstream radio. There were some great fast songs as well as a few slower songs. The soundtrack also includes actual 80’s songs that were either included in the movie or just inspired the writers, so that’s cool.

I don’t really have many complaints about this movie. I did find the ending a little too artsy and open for my tastes, but when set to a really gorgeous Adam Levine song, I can tolerate it. Raphina, the girl Conor is trying to impress, sometimes seemed to embody that manic-pixie trope too much so I really didn’t love her, but she was a decent character. And I do wish the DVD had a subtitles option because there were a few occasions that I couldn’t understand the boys’ thick Irish accents.

And now for some bullet thoughts because I need to say things:

  • ‘Drive Like You Stole It’ is my favourite song.
  • I loved Eamon, the kid with glasses and the rabbits.
  • Conor’s older brother looked SO MUCH like Chris Pratt.
  • Conor could do better eyeliner than me.
  • Was that other girl Conor’s sister or what?
  • I love Irish accents.
  • Who wants to start a band with me?
  • John Carney better be started on his next musical film project because I’m so ready.

If you want to see a fun and charming, music-filled movie that’s light but not too artsy, then watch Sing Street. You won’t regret it!

That’s all for now!


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